The main character of indivisible is Ajna, a young martial artist who draws on South East Asian cultures for inspiration. In Hindu and Buddhist traditions, “Ajna” is the name of the 6th primary chakra. Chakra are 7 points running down the center of the body that regulate spiritual energy.
The Ajna chakra is located between the eyebrows and represents wisdom and intuition. It is believed that spiritual energy enters the body through the Ajna. It is often referred to as the “third eye” and often depicted as such in art.
The following is an analysis of the latest and final Metal Gear Solid V trailer, cut by Hideo Kojima himself. As with the previous E3 trailers, this one beautifully sets up the themes of the game set to awesome music. This analysis will focus primarily on the theme of language as a tool of subjugation and how that relates to the Native American experience.
The characters in the trailer make many bold statements about how language is core to human identity and also the most powerful tool there is for control over society. I’d first like to focus on the passage spoken by Code Talker.
“Since ancient times, every civilization’s ruler has had the same idea: When people unite under one will, they become stronger than the sum of their parts. And what do rulers use to bring people together? Language.”
Code Talker is described as “a wise man denied his homeland.” It’s very important to note that he is Native American. His name is a reference to real life “code talkers,” who used Native American languages to transmit secret coded messages during World War 2.
Warning: This post contains many plot spoilers for the film Mad Max: Fury Road. Please don’t read any further if you don’t wish to learn of major plot points and themes in this wonderful film.
We (Richmond & Andy) were lucky enough to catch Mad Max: Fury Road in Thailand a few days before most of the English speaking world. Here’s a quick brain dump on the themes and imagery in this fantastic film.
Mad Max: Fury Road is a story about human beings fighting against objectification in the most literal interpretation of the word. The desolate earth of the post apocalypse is a cruel place where simply surviving is a constant struggle. In this harsh environment people have been reduced to objects valued only for their utility.
The film opens with Max being caught by Joe’s henchmen as he is very literally driven to madness by hallucinations of past failure. Max is stripped down, shaved, and his back is tatooed with his nutritional information. We hear from the excited chatter of one of the captors that Max is a universal blood doner, which is important to the plot and also has great symbolic value (more on this later). He is very literally reduced to a commodity to be consumed.
We are introduced to Immortan Joe looking down on high from his mountain citadel upon hordes of disheveled worshippers. The peaks of the citadel are covered in lush greenery seen nowhere else in the wasteland, the only way to reach there is by a gigantic lift powered by children turning cogs. Within the citadel are stables full of women milked like cows to provide nutrition for a chosen few. Immortan Joe himself is part machine, kept alive by a breathing aparatus. In this world, the common person has been reduced to a literal cog in a machine while Joe sits on top and is very literally kept alive by this machine.
I recently saw The Last: Naruto the Movie in theaters. Thought I’d share some quick thoughts.
Warning: minor spoilers ahead!
Still with me? Good!
One of my favorite things about Japanese animation and comics is that on top of plot and characters, the stories tend to be very theme driven. And those themes are often reinforced with consistent symbolic imagery. One of the central images in The Last: Naruto The Movie is the “red thread of fate.” Longtime readers of Art-Eater (is there such a thing? :O) will already be familiar with this classical allusion when we first wrote about it as a central motif in Kill La Kill.